The title of 'Cinematography' is very apt for Avrocar's debut long player. Best heard in a darkened room at loud volume, the experience of listening to this record evokes images of being alone in a city of tall, featureless buildings; perhaps this is what Birmingham life is like after all (as this is where the band are based). Using minimalist soundscapes, Avrocar have set their stall out to be part of the burgeoning electronic post-rock scene. 'Real Time' and 'Ueno' use muted vocals with a rhythm that seems almost uptempo compared to much of the slower, hypnotic soundscapes experienced on the rest of the album. 'Recoil' wears its dark heart on its sleeve on a maudlin path through Kraftwerk territory whereas 'Surface' has a haunting piano motif, followed by the spiralling robotic-like elegance of 'Amplify'. At other times, though, the pieces are too unassuming to be memorable. Nevertheless, this is a quiet and understated triumph which deserves the wider audience that its title alludes to.